The Grammys red carpet always looks like an intergalactic space orgy sprinkled with a bunch of random rappers who just rolled out of bed with barely enough time to grab their grill from the bedside table thrown in for good measure. Every year, it’s a mess. Plus you’ve always got legitimate superstars mixed in with a whole lot whosits and whateverhappenedtos. This year’s Grammy red carpet was no exception. I’m trying to sift through some of these looks, and honestly don’t know where to begin.
The American Music Awards doesn’t have the respectability of the Grammys or the pizazz of the MTV VMAs, but it’s got…well, it’s got a pointy award and people that show up, and that’s all you really need for a music award show. As such, guests still put in some effort for the red carpet. Post Malone’s hair is still a mess and he’s got those “Yes I’ve been slowly picking off my Shellac manicure” nails, but he also came through with a bedazzled belt buckle and nudie suit made by Union Western Clothing featuring his initials and several snakes. I guess he didn’t get the memo that Taylor Swift had the whole snake thing locked down last night. Oh well, it still pulled his whole look together. That is, if he was going for a look that tells people he’s a very successful businessman who sells snakes at an Alabama swap meet.
It’s a bit redundant to say so, because aren’t all award shows just an excuse for fashion houses to clean out their local Fabric Barn and send a famous person down the carpet in more material than a 1980s canopy bed set? But the Emmys did see a lot of by-the-yardage last night, like on Jessica Biel, who said yes to a white Ralph & Russo dress. If you think Jessica and Justin Timberlake look like they stopped by the Emmys on their way to appearing on the top of a wedding cake, you’re not the only one.
There were some real upside down and sideways looks on display at the The Council of Fashion Designers of America awards in NYC last night. Most notably Whoopi Goldberg giving us Little Bo Peep who lost her sheep and was forced to go to the big city and take out a bank loan for more, wearing her best Big Business suit. The added bonus of that suit is that those giant bell bottoms probably ring so damn loud, the sheep should have no problem finding their way back home.
Other notable looks included: Cate Blanchett‘s tuxedo/ baked potato/ butcher’s apron combo, and the night’s host Issa Rae’s belt that read “Every Nigga Is A Star”. All of those looks and more are in the gallery but for now, we’ve got plenty of high fashion to keep us in “what is going on here”s for a week.
There was a lot of messy fashion at the SAG Awards last night (prepare yourself accordingly after that jump below!). But obviously any effort that was put in was immediately cancelled out the second Kate Hudson returned to the scene of last year’s fashion crime and fully outdid herself in a fluffy Valentino vision of countrified love. I say love because, duh, the hearts a’plenty, but also because I love this dress. What’s not to love? Black velvet (check), pink beauty pageant chiffon (check), a high-lace neckline with corresponding bib of ruffles (checking furiously). The only thing missing is a pink parasol. Kate probably left it in the limo for fear of being mistaken for Miley Cyrus in a knock-off production of My Fair Lady called Decent Lookin’ Gal.
Here’s who else showed up and sizzled eyeballs with style.
Michelle Williams Was Paid 8 Times Less Than Marky Mark, And Tracee Ellis Ross Is Also Getting Paid A Lot Less Than Her Male Co-Star
The ink hasn’t even dried on the thank you note Mark Wahlberg sent to his crisis publicist for coming up with the idea to give Time’s Up his $1.5 million fee for reshooting All the Money In The World, and there’s now another pay scandal involving him and his co-star Michelle Williams. Continue reading