Because the folks at Warner Bros. presumably like making money and because last year’s Wonder Woman starring Gal Gadot raked in $822 million worldwide, they’re at work on the seque right nowl. The studio released a few first looks of the next movie, and it reveals that we’ll watch Wonder Woman taking to the 1980’s in the film, to be called Wonder Woman 1984. I get that nobody freaks our inner middle schooler out like a George Orwell reference, but I really think they missed an opportunity here by not having Wonder Woman just team up with Julia Sugarbaker to take down that bitch who mocked Suzanne during that “The Night The Lights Went Out In Georgia” episode of the first season of Designing Women. Continue reading
Note that I left out the word “mess,” as there’s no question that the messiest part of the red carpet was most likely the three square feet of space occupied by Ryan Seacrest.
If there was an award for red carpet fashion that makes you question a stylist’s sanity, Nicole Kidman would be that category’s Meryl Streep. Nicole arrived in an Armani Prive gown that does double duty. From the waist-up she’s very mascot of a sexy frozen fish company, and from the waist down I’m getting a reminder to please separate my plastic recyclables from my paper.
I’m so used to seeing Oprah Winfrey giving tons of high-energy excitement on the cover of O Magazine, that it’s a little weird to see her working such drabness on the cover of Vanity Fair’s annual Hollywood Issue. I know the theme of ever Hollywood Issue “Stars who forgot to pop an Ambien the night before and only got 2 hours of sleep,” and I’ll applaud Oprah for playing along. But you know there’s a part of her that wanted to drop Reese Witherspoon, rip off that black satin duvet cover to reveal a shimmering jewel-toned gown underneath, throw up her arms and crank a full-tooth smile behind a headline that reads “2018 Is Your Year To SHINE!”
Hollywood decided to wear black at the Golden Globes last Sunday night in silent protest of the industry’s sexual assault problem. But four days later, most Hollywood people at the Critics’ Choice Awards went with color.
Kate Bosworth didn’t wear color, but she did wear a mess. Kate is wearing a dress by Brock Collection, but if I hadn’t been told who made her dress, I’d assume she went into a formal event showroom on a particularly dry day, collected too much static electricity while trying on a bridal gown with her socks on, and accidentally left the store with a child’s christening gown that was stuck to her. The best part is that the fun didn’t end when Kate turned around.
Wonder Woman was one of the biggest films of 2017; it made almost $822 million worldwide, got mostly good reviews and is locked down for a sequel. But about two months after Wonder Woman’s release, James Cameron decided to verbally crap all over her good time, saying the film wasn’t really the feminist celebration people thought it was.
WW director Patty Jenkins slapped back at James. Gal Gadot kept quit until now. It turns out she was operating under a “Don’t feed the troll” mentality.
Angelina Jolie Decided To Fulfill Someone’s Feathered 60s Fantasy Last Night (And Other Looks From The Golden Globes)
Almost everyone who walked the Golden Globes red carpet this year wore black to protest Hollywood’s sexual misconduct problem. One thing that wasn’t being protested was good taste. There were a lot of black velvet outfits on that red carpet. Sure, it’s a bit of an obvious choice, but a choice I was absolutely here for, because anything that makes my brain start blasting “Black Velvet” by Alannah Myles gets two thumbs up from me.
But some people went a little more experimental with their all-black interpretation. Like Angelina Jolie, who showed up to the Golden Globes in some goth Lawrence Welk Show realness by Atelier Versace. It’s a little Barbra Streisand at the 1969 Oscars, with a splash of 60s televangelist, all poured onto a fainting couch and garnished with, “But detective, I swear my husband was dead when I found him!”